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Monster Bug Wars, Romance. Ann Charles, Annette Andre, Christmas Fairs and Photographic Art

Rock Art Photographer Nick Elliott, Anna Lewis, Keera Allsebrook, William Coles, Elouise Sheehan, Tessa Snart, Beverley Spencer, Ann Charles, Annette Andre, Emma Street, Zoe Jameson, Phil Leirness, Robin Pierce and Alex Lewczuk travel to Hounslow, Edinburgh, Arizona, Gloucestershire, Los Angeles and Wales in the latest packed edition of TMD.

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Lincoln Drill Hall, Performance Poetry , Carson Vaughan and Podcast #4000

The four thousandth Midweek Drive podcast has a spooky feel with Phil Hamlyn-Williams, Tessa Snart, Keera Allsebrook, Fergus Jeffs, William Coles, Alex Lewczuk, Carson Vaughan, Zoe Jameson, Linda Blair, Phil Leirness and Robin Pierce coping with unexpected noises and events throughout.

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The one with the Ukrainian Cowboy and Jeffrey A Carver

Elouise Sheehan and Alex Lewczuk host a pre-Halloween midweek drive with William Coles in Edinburgh, Arthur Weingarten in San Diego, Jeffrey A Carver in Boston, Zoe Jameson, Tessa Snart, Richard Edwards, Phil Leirness and Robin Pierce.

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Inspired On Air October 2018

Featuring a Pantomine location report from Rory McGowan at the New Theatre Royal Lincoln, some teasing hints from Arts Festival Coordinator Sara Bullimore and some extraordinary canine friendly features with Jo Hemming and Annabel Karmel MBE

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SPOILER Episode 23: High Rise (2015, Ben Wheatley, Tom Hiddleston, Sienna Miller)

Written by on 16th January 2017

SPOILER Episode 23: High Rise (2015, Ben Wheatley, Tom Hiddleston, Sienna Miller)

 
 
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“I don’t work for you. I work for the building”

This week we’re watching Ben Wheatley’s film adaptation of J.G. Ballard’s supposedly “unfilmable” dystopian thriller ‘High-Rise’ and the team are at odds again, though not about Tom “so handsome it hurts” Hiddleston. With Andy occupying Paul’s usual spot on the fence, Paul wonders how anyone could possibly put themselves through this film more than once, while Rachael advocates reading the original novel as a possible way to unlock the film’s appeal. While Andy compares ‘High-Rise’ to the music of The Fall, Paul experiments with a new way of saying Rachael’s name while Rachael tries to find a point of entry, causing everyone else to look for a point of exit! Despite Paul’s hankering for some politically-inspired vandalism, everything remains fairly harmonious until the subject of ‘No Country for Old Men’ comes up.

Elsewhere in two very different features, Rachael takes a dreamy look at the highs and lows of being a Hiddlestoner while Andy plunges headlong into the nightmare world of screen violence.

This week’s scale: Soft, delicious mashed potato or 1980s robot-advertised instant mash

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