“I just thought there would be more than this…”
It’s the end of series six and the Spoiler team are going out on a high by looking at Richard Linklater’s experimental coming-of-age drama ‘Boyhood’. With a two hour plus film covering a twelve year timespan to get through, Andy and Rachael try desperately to make Paul come to terms with the fact that Linklater chose to open the soundtrack with Coldplay’s ‘Yellow’. With this stumbling block successfully traversed, the team get to grips with ‘Boyhood’s daunting scope, with Andy finding the film to be a valuable historical document of an era and Rachael asserting that, far from being about nothing as its harshest critics have suggested, ‘Boyhood’ is about everything. Paul declares Ethan Hawke’s performance to be a revelation, sparking a barrage of recommendations from long-term Hawke-fans Rachael and Andy, and Patricia Arquette is recognised by everyone as “quietly brilliant”. Andy sets about fixing Ethan Hawke’s failed attempt to put together a coherent compilation of solo Beatles songs and the relative merits of ‘Mull of Kintyre’ and ‘We All Stand Together’ are debated. Rachael condemns the repetitive trope of the alcoholic husband, while Paul, as a parent himself, sympathises with the paraphrased quote “Get in the car and cut the horse-poo atttitude”.
Elsewhere, Andy looks back at his love affair with indie cinema and attempts to define the elusive term ‘independent’.
This week’s scale: Coldplay’s ‘Yellow’ or Doves’ ‘The Cedar Room’
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